'Untitled'
A look, a touch, a feeling, is oft missed but ever remains.
Configurations & Compositions Residency with McNicoll Ballet Collective @ DanceEast, July 2024
Choreography: Otis Cameron Carr
Composer: David Westcott
Dramaturgy: Francesca Tennant
Music Mentor: Jeremy Birchall
Rehearsal Assistance: Juan Eymar
Dancers: Cooper Blankenburg, Laura Flügel, James Stephens
Musicians: Anna De Bruin, Louise McGonagle, Martin Payne, Rebecca Speller
Concourir
Assembling the essence of each, we need not speech for to exist is an act within itself.
The space dictated by each inhabitant with intention which we do not mention.
All feelings invoked provide answers, spectate but do not dictate.
BA1 Performance Project November 2023
Choreography: Otis Cameron Carr – In collaboration with TRINITYLABAN Dance Students.
Music: Tinder, Undefined, Orgy by Paul Tinsley
Additional Sound: O.C.C
Lighting Design: Otis Cameron Carr & Mickie Mannion
Meet(in)g
Two bodies sharing space and time, with individual histories align.
They Meet through chance, discover their dance (in) sharing language unspoken.
Initially strangers, acquaintances yet, friendship evolves then onto the next. (Pt 3)
A world within a world with abstract representation, eyes looking on changes not the situation.
Royal Ballet Autumn Draft Works October 2023
Choreography: Otis Cameron Carr
with Jack Thomson
Rehearsal assistant: Hannah George
Music: OSLO TEN by Paul Tinsley
Costume Alterations: Georgina Spencer
Sourcing: Jack Thomson & Otis Cameron Carr
Light Concept: Otis Cameron Carr
Filming © ROH
Onlook(IN)g
We(you) are on the outside looking in.
Your perspective is y(our)s and yours alone.
Without context interpretation is subject to one's place of on(look)ing.
(We)You are programmed to make sense of and form understanding of our surroundings (in)formation.
How does this affect your understand(in)g of what we(you) see?
Should it?
Let's see.
Moveo Dance Company (Malta) 2022
Choreography: Otis-Cameron Carr
Music: Albert Garzia
Costume Design: Dorian Mallia
Costume: Doris Mallia
Lighting: Otis-Cameron Carr
Filming: Three Wise Men
Oh!
Inspired by the temperaments of my mother, two sisters and I.
Drawing from the environment generated within our household, the impact related to freedom of speech and the affect on interactions with one and other.
Rambert season of New Choreography 2011
Choreography: Otis Cameron Carr
Sound Design: Otis Cameron Carr after Henry Purcell
Costume: Otis Cameron Carr
Lighting: Otis Cameron Carr & Luke Manning
Dancers: Antonette Dayrit, Malgorzata Dzierzon, Julia Gillespie, Mbulelo Ndabeni